Uncover why HEAVENLY BODIES is the best company for you. Compare pay for popular roles and read about the team’s work-life balance. Get the inside scoop on jobs, salaries, top office locations, and CEO insights. What took this show to the next level was the way it created a dialogue between masterpieces in the museum’s holdings and the modes on display, thus placing fashion within the context of art history. Find out what works well at HEAVENLY BODIES from the people who know best. More than 1.43 million people saw the show at the Met Fifth Avenue, and 228,737 at the Met Cloisters. “Heavenly Bodies,” the largest show ever staged by the Costume Institute or the museum, stretched out over more than 60,000 square feet in 25 galleries in two locations. It wasn’t only visitors’ imaginations that traveled either-step counts rose, too. Most of the exhibition was dedicated to exploring the diverse ways contemporary designers-whether faithful, lapsed, or nonbelievers-mined the legacy of liturgical garments and the rich symbolism of the Catholic church for their own aesthetic purposes, whether sacred or profane. “Heavenly Bodies” was built around a cache of papal robes and accessories from the Sistine Chapel sacristy, some of which had never been seen outside of the Vatican. What made this show a blockbuster? An inspired theme, for one. 1 show, 1978’s “Treasures of Tutankhamun,” which drew 1,360,957 visitors. Having attracted 1,659,647 visitors, the show is now the Metropolitan Museum of Art’s and the Costume Institute’s most visited exhibition, outshining the former No. The Costume Institute’s spring 2018 exhibition, “ Heavenly Bodies: Fashion and the Catholic Imagination,” has officially entered a higher realm.
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